sábado, 23 de enero de 2010

Galliano F/W 10-11 (Part II)

The second line of the runway is objected to the first exit. This case they are precise, clean, classic very well elegant lines.
He does not stop being urban, the textiles are opportunely English, he seems to be inspired by Humphrey DeForest Bogart, I list to film a classic atemporal.
Totally moderate, not to traverse risks and to choose for the sure thing.

Even that is necessary to mention that there are two exits that break the line, totally opposite, opened to immensity of interpretations.
Sexual is not sensual +.
Mr Galliano for which he likes so much opossitive?
He does not stop being the same classic man but this time has decided show more of he.

La segunda linea del runway es lo opuesto al primera salida.
Este caso son lineas precisas, limpias, clasicas muy bien cuidadas. No deja de ser urbano, los textiles son oportunamente ingleses, parece inspirado en Humphrey DeForest Bogart, listo para filmar un clásico atemporal.
Totalmente mesurado, para no correr riesgos y optar por lo seguro.

Aun que cabe mencionar que hay dos salidas que rompen la linea, totalmente contrarias, abiertas a inmensidad de interpretaciones.
Sexual no es sensual +
Sr. Galliano por que le gusta tanto lo opositivo?
No deja de ser el mismo hombre clásico pero esta vez ha decidido mostrar mas de el










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